MACHS MIT MIR GOTT NACH DEINER GÜT R.44 : SIMPSON DANIEL LÉO

This really is a chorale arrangement. The experts soon set en route for puzzling it out and what do you know — the chorale melody is present all over the work, although well concealed in the decorative fugue argument.

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So as to is until the discovery all the rage New York, inof the Neumeister Sammlungwhich contained an extra elongate version of BWV among altogether sorts of other hitherto anonymous works by Bach and erstwhile composers. Even more exciting is that in this source the fugue is followed seamlessly by a setting of the chorale Machs mit mir, Gott, nach deiner Güt. To us, this may seem a melancholy argument, but for Baroque congregations death was a doorway to bliss, which you could confidently ajar with God at your side. However, few pieces underwent such a dramatic twist as this one. It is a distinctive piece — or did Bach write more fugues using this technique? With no handwritten source by Bach, Machs mit mir Gott, nach deiner Güt was regarded for many years at the same time as a fugue. This really is a chorale arrangement. This is not the only work by Bach without a clear context.

A mystery solved

But, few pieces underwent such a dramatic twist as this individual. That is until the discovery in New York, in , of the Neumeister Sammlung , which contained an extra elongate version of BWV among altogether sorts of other hitherto anonymous works by Bach and erstwhile composers. This really is a chorale arrangement. To us, this may seem a melancholy argument, but for Baroque congregations death was a doorway to bliss, which you could confidently ajar with God at your side.

Machs Mit Mir 71969

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